Special guest Brandon Katz joins us for a bonus episode of Cinemaholics. We dive into Waves, the new A24 drama starring Kelvin Harrison Jr., Taylor Russell, and Sterling K. Brown. After that, we review Honey Boy from Amazon Studios, which stars Shia LaBeouf as his own father in a semi-autobiographical drama about his life as a child actor coming of age.
Special guest Cory Woodroof joins Will Ashton for an in-depth review of Doctor Sleep, a spiritual sequel to Stanley Kubrick’s The Shining, but also an adaptation of Stephen King’s novel of the same name starring Ewan McGregor and Rebecca Ferguson. In addition to reviewing Last Christmas and Playing with Fire, Cory and Will answer the question of the week, offer second opinions of Jojo Rabbit and Marriage Story, and briefly review Seth Meyers: Lobby Baby.
This is the episode we’ll be remembered for. This month on Extra Milestone, Jon, Sam, and Will discuss Tim Burton’s Ed Wood, which celebrates its 25th anniversary of release. We discuss how the film got made, its legacy over the years, and what we really think about it after all this time.
This week, Jon and Will explore the bright spots of Terminator: Dark Fate, the newest Terminator film directed this time by Tim Miller (Deadpool). They also discuss Marriage Story from director Noah Baumbach, which stars Adam Driver and Scarlett Johansson. As well as Harriet, the new biopic centering around Harriet Tubman starring Cynthia Erivo, and […]
A biopic about American historical figure Harriet Tubman has been long overdue. You can’t go through American history without reading or hearing her name and yet filmmakers have steered away from her story until now. Finally, Kasi Lemmons brings the legendary abolitionist’s life to the big screen in her biopic Harriet, and while her story is one every American should know, the way the film tells it is not without fault.
Consider our timbers shivered. This week, Jon and Will review The Lighthouse, which is the newest indie freak flick from Robert Eggers, director of 2016’s The Witch. Later in the show, Jon reviews Jojo Rabbit from Taika Waititi, and Will talks about the new Netflix film Dolemite Is My Name, as well as The Current […]
Gregory Allen Howard has been working on bringing the story of Harriet Tubman to the screen for over 20 years. Despite Hollywood’s dismissal of his script, Howard continued to persist in getting his film made and he finally found a partner in director-writer Kasi Lemmons. We talked to the legendary screenwriter about what it took to get the story of such a historical figure to the new biopic Harriet.
Cinemaholics Podcast #139 – Maleficent: Mistress of Evil, Zombieland: Double Tap, El Camino, Parasite
We’ve let the movies pile up over the last few weeks, which means it’s time for a CINEMAHOLICS REVIEW-ATHON! We start off with the big Disney wide release, Maleficent: Mistress of Evil, then dive into Zombieland: Double Tap and catch up on El Camino: A Breaking Bad Movie. From there, we get into some mini reviews that range from stellar indies to major new shows hitting streaming. This is a packed episode, so be sure to check out the show notes below to see everything we covered.
This week, we’re seeing double. Jon and Will review Gemini Man, a new action-thriller-spy-clone film starring Will Smith from acclaimed writer and director Ang Lee. Known for its off-kilter shooting style and aggressively high frame rate, Gemini Man has critics and audiences torn, but where do the Cinemaholics stand? Also in the show, Will shares his thoughts on two other new films: Mister America and In the Tall Grass. And Jon briefly discusses his experience playing Borderlands 3 for Playstation 4.
A couple jokers reviewing Joker? What could go right? Jon and Will discuss the controversial new film starring Joaquin Phoenix from director Todd Phillips of The Hangover series and other 2000s comedies your dad probably loves. They also dive into some discussion around In the Shadow of the Moon, The Kill Team, The Politician, and more. But the real killing joke is that theme music, which is “Smile” by Jimmy Durante.
Since his first appearance in 1940, the Joker as a comic book villain (and later TV/Film/Video Game villain) has been an ever-evolving enigma, much like his darkly heroic counterpart. So it makes perfect sense for the films to continuously reinvent a character like the Joker, who serves a litany of important functions as an antagonistic presence.
It’s no secret Hollywood loves Hollywood (see: La La Land’s 14 Oscar nominations). A biopic about a beloved star of the Hollywood Golden Age? Singing? My first thought upon viewing the Judy trailer was Oscar. Fodder. But Renée Zellweger’s performance as Judy Garland ultimately transcended my cynicism.
We like to think of ourselves as contenders, so for August and September, Sam and Will are doing a double review of On the Waterfront from director Elia Kazan and Rear Window from Alfred Hitchcock. Both films came out in 1954 and are thus celebrating 65 glorious years at the cinema.
Special guest Sam Noland returns for a packed episode filled with movie news and reviews you can only find at Cinemaholics, or perhaps somewhere over the rainbow. That’s right, after some movie news chat about The Irishman and Spider-Man returning to the Marvel Cinematic Universe, Sam and Will review Judy, a new biopic about the legendary actress and singer, Judy Garland, starring Renée Zellweger. Also, Will briefly shares his thoughts on Abominable, the latest animated film from DreamWorks.
Cinemaholics Podcast #135 – Ad Astra, Rambo: Last Blood, Downtown Abbey, Tigers Are Not Afraid, One Cut of the Dead, In Fabric
Special guest Sam Noland joins us for a galaxy-sized episode of the show this week with more reviews than stars in the sky (or so it might feel). We covered the wide releases of the week, including Ad Astra of course as our featured review toward the end of the show, but we also tackled […]
Do Jon and Will float by on charm, too? Or…TWO?! This week on Cinemaholics, Jon and Will discuss It Chapter Two, the followup to the wildly successful 2017 horror film/Stephen King adaptation. They also talk about Where’d You Go Bernadette, Luce, The Nightingale, Dave Chapelle: Sticks & Stones, American Factory, and Brittany Runs a Marathon.
After recapping the summer movie season and discussing 2019’s best films thus far, Jon and Will dive into a full preview of what’s coming out this fall, including their most anticipated films, a few dark horses, and even some flicks they’ve already seen ahead of time.
This week’s episode of Cinemaholics isn’t a game. We’re reviewing Ready or Not, a new horror thriller/comedy starring Samara Weaving, plus we’re diving into some of the biggest announcements coming out of Disney’s D23 Expo, which includes updates about Marvel, Star Wars, Pixar, and of course, Disney+. We also tackle a few mini reviews, which […]
A TON of movies have come out in the last few weeks, so with Jon and Will back from vacation, they take on a supersized episode of reviews that include Dora and The Lost City of Gold, The Angry Birds Movie 2, and plenty more, including our featured review of Good Boys, Luce, Peanut Butter Falcon, Blinded by the Light, and Sextuplets.
It might be several weeks late, but July’s EXTRA MILESTONE is here! With Jon away on vacation, Will Ashton and Sam Noland decided to tackle not one, but two notable classics celebrating anniversaries. First up is Dennis Hopper’s Easy Rider, the counterculture classic celebrating its 50th anniversary, followed by Spike Lee’s Do the Right Thing, the eternally relevant commentary on racial tensions celebrating its 30th anniversary.
If you can’t handle the heat, stay out of Julia and Kimber’s podcast about The Kitchen, a new female-led gangster movie starring Tiffany Haddish, Elisabeth Moss, and Melissa McCarthy. That’s right, Julia Teti and Kimber Myers are guest hosting this episode of the show, which dives deep into the directorial debut of film writer Andrea Berloff (Straight Outta Compton).
2019 marks the 50th anniversary of the infamous Manson Murders — a tragic chain of senseless killings irreparably changing the world forever, and once broadly referred to by Don McLean as one of “the days the music died.” As is true with just about any point in time of this historical caliber, these events have been dramatized in various ways via the cinematic medium. With three films on the subject being distributed this year alone, I decided the time was right to witness and rank each and every one of them that I could get my hands on.
Special guest Preeti Chhibber from the Strong Female Characters podcast joins the show this week to talk about Fast & Furious: Hobbs & Shaw, a spinoff of the “Fast/Furious” franchise starring Dwayne the Rock Johnson, Jason Statham, Vanessa Kirby, and Idris Elba.
Cruelty is currency, and salvation is nothing more than a branch thrown into a ravaging, rapid river. This is the world Jennifer Kent throws her audience, unwillingly, into for her sophomore feature, The Nightingale. A divisive and often outright dread-inducing picture, Kent’s film rides through the Tasmanian wilderness with a steadfast purpose, to confront and kill the colonizing demons that haunt her main characters by body and land. To an extent, the vindictiveness of Kent’s picture thrives in the lush greenery of Tasmania. But the bonds that hold her characters together break under pressure.
Get ready to cruise down the sunset strip to WSJ radio (Will/Sam/Jon), because we’re reviewing Once Upon a Time…In Hollywood, the latest film from director/writer Quentin Tarantino, which stars Leonardo DiCaprio, Brad Pitt, Margot Robbie, and a huge cast of surprise faces you’ll probably recognize. This is one of our most divisive conversations of the year, so you don’t want to miss it, ya dig?
Julia Teti and Sam Noland join Jon Negroni for an Indie Panel discussion of Wild Rose, a new drama about a country music singer (Jessie Buckley) who lives in Scotland but dreams of somehow going to Nashville to realize her dreams, despite all the obstacles standing in her way.
Before we indulge in Disney’s recycle of life by reviewing The Lion King, the newest “reimgainging” of one of their animated classics, the Cinemaholics catch up on the latest details coming out of Comic Con, specifically the big announcements surrounding Marvel’s next timeline of films and streaming releases. Plus, we get into a fur-raising discussion […]
We have a triple feature this week, as we dive into the new hurricane horror predator flick Crawl from director Alexandre Aja, the new R-rated buddy action comedy Stuber starring Kumail Nanjiani and Dave Bautista, and the dark indie comedy The Art of Self-Defense starring Jesse Eisenberg.
Jon, Will, and Julia escape the daylight and discuss Midsommar, the latest “horror” film from director/writer Ari Aster and A24. Yes, we’re doing another bonus review on an A24 movie. We start with a spoiler-free overview of our thoughts, then we dive into spoiler-filled deep dive of the film. Midsommar stars Florence Pugh, Jack Reynor, William Jackson Harper, Will Poulter, and Vilhelm Blomgren.
The time has come yet again for a new release to be completely steamrolled at the box office by an installment of the Marvel Cinematic Universe — and shamefully so, if you ask me. The unfortunate and doomed film comes this time in the form of A24’s Midsommar, a folk mystery/thriller from Hereditary director Ari Aster, which just so happens to be one of the best movies of the year.
Special guest and fellow webhead Matt Serafini joins us for a full review of Spider-Man: Far From Home, the newest Marvel film featuring Tom Holland as everyone’s favorite neighborhood superhero. We also catch up on some other films and shows we’ve been watching, including Stranger Things Season 3, Anima, and Annabelle Comes Home. This week’s […]
The children are our future. So how do they perceive our past? In the documentary, The History Project, producers Daniel Ahrens and Jason Flood compiled a collection of video projects from both middle schoolers and high schoolers depicting the events that shaped our nation’s history. The result is an amusing, revealing, often bizarre and surprisingly touching […]
This past weekend saw the release of Danny Boyle’s Yesterday, a high-concept dram-com with a hint of romance in which an unprecedented global anomaly erases The Beatles (among other cultural bullet points) from history. The Fab Four are allowed to live on, however, in the baffled memory of struggling musician Jack (Himesh Patel), the only one with any understanding of what’s happened.
Do we believe in Yesterday? Special guest Kimber Myers joins the show to discuss the latest film from director Danny Boyle and screenwriter Richard Curtis, which explores a world where the Beatles never existed, and the one person who remembers them tries to pass their legendary music off as his own. We also discuss Midsommar and Wild Rose, then dive into some feedback from last week’s show.
If you’re a fan of the Annabelle and Conjuring movies, then we have a special treat for you this week. I recently spoke with Gary Dauberman, writer and director of the new horror film Anabelle Comes Home, which hits theaters later this week. Dauberman was also the screenwriter for the first Annabelle in 2014, along with Annabelle: Creation and The Nun. He co-wrote It from 2017 and is the executive producer and co-writer for Swamp Thing, a new DC Comics series on streaming.
The seventh film in the Conjuring series and the third to focus on the now-famous Annabelle doll comes to us from first-time director Gary Dauberman, who previously wrote the first two Annabelle films and co-wrote The Nun, as well as the latest adaptation of Stephen King’s It.
Special guest Charlie Ridgely (ComicBook.com) joins us for some playtime with Woody and the gang in Toy Story 4, the latest Toy Story film from Pixar. We discuss our thoughts and feelings on the overall series, plus we kick off the episode with some discussion about our favorite films of the year so far.
When it came to selecting the Movie of the Week, there was no clearer choice than George A. Romero’s inimitable classic Night of the Living Dead, especially with the recent release of Jim Jarmusch’s zombie comedy The Dead Don’t Die, which was heavily inspired by the 1968 film. Night of the Living Dead wasn’t the first film to feature the undead, but it is widely considered to be the definitive introduction for mainstream audiences. The mythology it established all those years ago continues to be the standard for almost every other zombie movie, TV show, or other medium in the genre to come out since.
Suit up. Jon and Will are back in black to discuss Men in Black: International, the fourth film in the franchise, now starring Chris Hemsworth and Tessa Thompson as the memory-wiping, alien-saving agents. They also discuss the lackluster summer box office in 2019 and how this may affect theatrical releases in the future. And you’ll hear reviews for Jim Jarmusch’s “dry zombie comedy” The Dead Don’t Die and Seth Green’s directorial debut Changeland.
It’s been two weeks since the release of Michael Dougherty’s long-awaited sequel Godzilla: King of the Monsters, which hit theaters to a mixed critical reaction and moderate financial success. It hasn’t received the widespread enthusiasm Legendary and Warner Bros. were likely hoping for, but the film does contribute to the now 65-year old legacy of the world’s favorite giant monster in more ways than one.
The Toy Story movies have always been filled with lots of toys, and rightfully so. But every film so far has mostly played around with the character of Woody the cowboy doll. His story has progressed both positively and negatively to some extent over the years, from his fear of being replaced in the first […]
Have you tried…not being a Cinemaholic? The “X-Men” franchise is on its last wings these days, so Jon and Will are here to discuss Dark Phoenix, Fox’s last breath of fire before Disney bought the rights to these characters. We also discuss the new comedy Late Night starring Mindy Kaling and Emma Thompson, The Secret Life of Pets 2 from Illumination, and Joanna Hogg’s latest film The Souvenir from A24.
‘Dark Phoenix’ Review – The X-Men Franchise Ends As It Did The First Time, By Flaming Out Spectacularly.
19 years of X-Men films have led to one very awkward moment. A patchwork of sagas ranging from transcendent to bottom-dweller couldn’t have a picked a flatter vehicle for punctuating a complex legacy now in the hands of Disney upon the Disney-Fox merger. And to make matters more confused, we still have another one of these ancillary films, New Mutants, delayed to next spring for an unrelated and likely inconsequential misadventure. For now, Dark Phoenix effectively closes the book on a story that already has two, maybe three endings as it is.
‘Toni Morrison: The Pieces I Am’ Review – The Living Literary Icon Gets A Meditative Documentary Of Her Own
Where there once stood the pillar of the white, male gaze in literature, Toni Morrison exchanged her chisel for a sledgehammer and there, knocked it down. The author, editor, and icon has amassed a following worthy of her extraordinary verve. A towering figure in the world of fiction, Morrison’s titles include The Bluest Eye, Song of Solomon, Tar Baby, and Beloved, among many others. She is a Nobel Peace Prize winner in literature and, will have you know, she makes the best carrot cake you will ever have.
Cinemaholics Podcast #119 – Rocketman, Godzilla: King of the Monsters, Ma, The Last Black Man in San Francisco, Always Be My Maybe
We’re not the podcast you thought we were before. This week, Sam Noland joins Jon Negroni for a packed episode, covering all the wide releases of the week, plus some extra limited/streaming releases. Our theme music this week is “Amoreena,” performed by Taron Egerton on the Rocketman soundtrack.
Jon, Will, and Sam talk about François Truffaut’s The 400 Blows, which began the French New Wave of Cinema in the late 1950s. We discuss the significance of the film and why it’s essential viewing for cinemaholics, plus we debate the meaning behind the film’s controversial ending.
Over the past 65 years, there have been 35 films featuring Godzilla (or 38 if you’re being technical), a super-powered reptilian giant and titan of the ancient world, born against his will from the complicit ashes of mankind’s mistakes. He’s a rightful god among monsters and humans alike, and such is the case in this latest outing of the world’s favorite monster, in which there might be some serious competition for the title of “King.”
Sifting through Netflix’s endless rolodex of content can be daunting. What should you watch? What are the streaming overlords recommending? Is there a category curated specifically for one’s own tastes? Mind-boggling algorithms aside, there are sometimes those movies that just pop up out of nowhere (fine, not out of nowhere exactly, I just went through the algorithm process). But these are the movies that always seem to simply say, “maybe.” Maybe this is the one. And this time, that “maybe” is literal in Always Be My Maybe, which is now streaming on Netflix and stars Ali Wong and Randall Park.
Do you trust us? Great! We’re sweeping you off your feet as we review a whole new Disney live-action remake, this time covering everyone’s favorite street rat, Aladdin, in Aladdin. We also discuss The Perfection, a new Netflix film you have to hear to believe, and Brightburn, a super-hero-horror flick that will probably make you […]
What we know of Ophelia has only been communicated by men. Shakespeare wrote her, Hamlet showed her disdain, and our high school English teachers misjudged her actions for hysteria. She is a tragic character worth revisiting, and worth further examination. Her story, though thought to be mostly miserable, has earned a more hopeful iteration. It’s […]
Every teen generation tends to get defined by the media they consume and how they consume it. Sure, not everyone can relate with the exact feeling a single song from the 70s can invoke when played in a film like Dazed and Confused, or perhaps what an early 2000s pop culture reference might inform in Superbad. But in Booksmart, the tradition of expanding relatability beyond the constraints and memories of a given era continues in this lovingly ambitious feature debut from actor-turned-filmmaker Olivia Wilde.
Fellow Game of Thrones fanatics Kimber Myers and Julia Teti join us for a full-length discussion of the hit HBO series and its 8-season finale. We discuss what we liked and disliked, what surprised us, and how the legacy of Game of Thrones may shape pop culture for winters to come.
We’re ready to get in on the action of John Wick: Chapter 3 – Parabellum, the third installment of the ongoing Keanu Reeves hitman franchise from director Chad Stahelski and screenwriter Derek Kolstad. We kick off the show with Off-Topics and briefly catch up on some of the new films we saw this week and last week but don’t have time to fully review.
In my view, 2014’s John Wick is the ultimate Redbox movie. On the surface, it looks like your typical, generic B-movie action thriller. It features a recognizable actor who was out of the limelight at the time, and to some, past his prime. In this case, that actor was Keanu Reeves, and this revenge tale looked like any other generic action romp, the likes of which you typically find crowded in those recognizable movie machines outside of Wal-Mart.
Special guest Cory Woodroof joins Will for a long conversation about Under the Silver Lake, the latest film from director David Robert Mitchell (It Follows), which stars Andrew Garfield and Riley Keough. Despite a lot of buzz surrounding this neo-noir thriller after premiering last year at Cannes Film Festival, A24 has only recently unleashed the mystery upon us hopeful cinemaholics. Is that for good reason? Dive in and find out!
I can still recall…The Last Summer.
John Ronald Reuel (J.R.R.) Tolkien, author of such high fantasy novels as The Hobbit and the Lord of the Rings trilogy, was recently the subject of Dome Karukoski’s Tolkien, a new biopic about the prolific author produced by Fox Searchlight Pictures and released through Disney last weekend.
We just have one movie following us around as we battle it out over Pokémon Detective Pikachu, a new live-action movie based on the video game, as well as the larger world of pocket monsters with so many games and merchandise, we couldn’t possibly hope to catch ’em all.
In Pokémon Detective Pikachu, the rules of Pokémon and perhaps video game movies in general are turned on their head to seemingly serve a single purpose: give the people what they want. But what do audiences really want in a new Pokémon movie? A stylish film noir? A diversely casted Zootopia narrative? Dozens of CG monsters to adore and collect? The Ryan Reynolds brand of comedy under a PG rating? Or perhaps simply a reminder that when many of you were young, Pokémon (in some fashion) was a big deal to you, and now it can be a big deal to your kids.
Filmmakers generally build their stories around proven formulas. Either intentionally or not, most movies you see at your local theater follow a predictable series of set ups and payoffs. Sometimes this can be grating, and other times, it’s part of the charm. In one’s mundane day-to-day living, a familiar, run-of-the-mill story can be dull, meandering, or frustrating. You’ve almost certainly heard someone ask, “Why won’t Hollywood make something new?” But in other cases, a film that’s light, good-natured, and winningly by-the-books can invoke a welcome sigh of relief.
Cinemaholics Podcast #115 – Long Shot, Booksmart, Extremely Wicked Shockingly Evil and Vile, Tuca & Bertie, Knock Down the House
Special guest Abby Olcese joins us as we cast our ballots for Long Shot, a brand new political romantic comedy starring Charlize Theron and Seth Rogen. But that’s not all! School is out but the party is just getting started. We’re doing an early review for the upcoming bad teen comedy Booksmart, the first film directed by Olivia Wilde. And later in the show, we discuss three new releases on Netflix: Extremely Wicked Shockingly Evil and Vile, Tuca & Bertie, and Knock Down the House.
For reasons that may be obvious, critically analyzing a film intended for children can be a difficult task. There’s a prevailing notion that kids, due to their general lack of experience, have very low standards and will eat up whatever colorful media they’re given. There may certainly be some truth to that sentiment, given that children and adults consume art very differently, but one of our responsibilities as critics is to thoroughly clarify how disparate age groups might react to a film, especially one made for kids to enjoy.
This month on Extra Milestone, we’re celebrating the 65th anniversary of Akira Kurosawa’s legendary action epic, Seven Samurai, which was released on April 26, 1954. As always, we dive into the historical context and legacy for the film, why it’s so fondly remembered, and what we think of it all these years later.
Pristinely lined upon walls in America’s capital are the imposing, glorifying portraits of the fathers of our nation. Men who may have written moving words, but did so using the backs of women, people of color, and disenfranchised groups as the desk to write upon. It’s a tiring cycle; to be told the people have power only as far as the ballot box, and only if they can even get there. But in Netflix’s new documentary Knock Down the House, director Rachel Lears follows four women and their personal, political battles against a broken system.
We’re assembling some surprise guests to review Avengers: Endgame, starting with a spoiler-free discussion of the blockbuster event that’s already breaking box office records. Afterward, all of our spoiler hesitations disappear with a snap, and we have special guests Alisha Grauso and Matt Donato on deck to help us process basically everything this saga by Marvel has been building up to for over a decade.
Avengers: Endgame marks the end of the Marvel Cinematic Universe as we know it. At least…until Spider-Man: Far From Home comes out in a few months. Regardless, there are 22 films in this sprawling quilt of franchises, and not all of them are made equal. In this bonus episode of Cinemaholics, I spend a grueling two hours with Sam Noland collaborating and debating a definitive ranking we can both put our names on.
The set up and payoff structure of the Marvel films beginning with Iron Man in 2008 may never be fully realized. These stories will continue on for as long as audiences continue to be fans of the material, so any definitive ending for a saga of episodic films requires a conclusion to at least one prominent idea, not necessarily an entire world of characters and their respective potential as branched franchises. This is why Avengers: Endgame is a film deftly committed to playing out the first and last revelation of such a film series. Tony Stark is Iron Man. And the Avengers are the Earth’s mightiest heroes. Everything else in Endgame is secondary, including its villain.
Special guests Sam Noland and Julia Teti join us for a Summer Movie Preview that includes the entire writing staff at Cinemaholics for the first time! We talk about all the biggest sparks, spooks, and bops we’re looking forward to the most this summer. Plus we each pick a few “dark horse” films we think might be better than they look, then cover all of our honorable mentions for the upcoming blockbuster season.
Actor Raymond Cruz is often best known for his television work, particularly on TNT’s The Closer and his memorable reoccurring turn in Breaking Bad/Better Call Saul. For more than thirty years, however, Cruz has appeared on screens both big and small, providing memorable and distinctive turns in a variety of projects. His latest role in the New Line horror film The Curse of La Llorona, however, is one of his biggest to date. Premiering in theaters and IMAX screens around the world starting tonight, his role in The Conjuring spin-off film is literally and physically among his most gigantic to date, particularly if you see him on the 72-foot screen.
‘The Curse of La Llorona’ Review – The Latest ‘Conjuring’ Feature is Only Superficially Supernatural
The Curse of La Llorona is the sixth film in the ongoing Conjuring series. Released through Warner Bros. and New Line Cinema, the film is helmed by first-time director Michael Chaves (the director of next year’s The Conjuring 3), written by Mikki Daughtry & Tobias Iaconis, and stars Linda Cardellini, Raymond Cruz, and Patricia Velásquez. The story is based on the Mexican folklore of La Llorona, also known as The Weeping Woman, and follows Anna (Cardellini), a widowed mother of two in 1970s Los Angeles, who must protect her children from the supernatural entity in question (Marisol Ramirez).
Merriam-Webster Dictionary should be on the lookout. Paying attention to the latest changes in the English language, the millennial vernacular has birthed some questionable terms in its wake: “Extra,” “Slay,” and the ever-practical “Lit” have found their way into the jargon of many young folks. But above all other terms, there is one that shames them all. Adulting. Defined: “to behave like an adult, to do the things that adults regularly have to do,” as per Merriam-Webster. This is the very word encompassing the Netflix nexus of Jennifer Kaytin Robinson’s neon-lit directorial debut, Someone Great.
Slut in a Good Way is directed by French-Canadian actress Sophie Lorain and stars Marguerite Bouchard, Romane Denis, and Rose Adam as Charlotte, Mégane, and Aube respectively, a trio of teenage girls who are hired to work part-time at a toy store during the winter holidays. Over the course of the season, they each engage in various romantic and sexual exploits with their coworkers and are suddenly forced to reckon with the frustrations and uncertainties that arise when it comes to adult relationships.
Cinemaholics Podcast #112 – Hellboy, Missing Link, High Life, Guava Island, Little, The Death of Dick Long, The Man Who Killed Don Quixote, Breakthrough
We’re traveling to hell and back this week with our review of Hellboy, a new R-rated adaptation of the monster-fighting comic book anti-hero, now starring David Harbour. We also catch up on the latest stop-motion animation family film from LAIKA, Missing Link, and cover plenty of other releases worth talking about, including High Life, Guava Island, Little, The Death of Dick Long, The Man Who Killed Don Quixote, and Breakthrough.
‘The Man Who Killed Don Quixote’ Review – Terry Gilliam’s Delayed, Surreal Fantasy Finally Becomes A Reality
For many film fans, Terry Gilliam’s The Man Who Killed Don Quixote has taken on a bit of a mythic quality since its inception. Either fittingly or ironically, this long-in-the-works passion project centered (in part) around the literary icon is one that has often alluded the Brazil director. For the past 30 years, Gilliam has tried — with only fleeting success — to bring this mischievous fable to the big screen. Despite every intention and aspiration to make it a reality, Don Quixote yet remained a fantasy.
Cinemaholics Podcast #111 – Shazam, Pet Sematary, The Best of Enemies, Unicorn Store, Shrill, The Inventor
Special guest Ryan Oliver (The Playlist) joins us for a supersized review of Shazam, the latest superhero film from DC and Warner Bros. We also bury our feelings to discuss Pet Sematary, a new horror remake of the 80s Stephen King adaptation. Later in the show, we’re covering a wide variety of other releases, including The Best of Enemies, Shrill Season 1, The Inventor: Out for Blood in Silicon Valley, and Unicorn Store.
It’s been some time since I’ve been completely and utterly transfixed by a film. It happened quite often back when I started to really dive into cinema; it was only 2015, but it seems like a thousand years ago, and I remember everything I watched seeming so unique and tantalizing at the time. Naturally, the frequency of this sensation started to die out as my knowledge grew, and it slowly began to take a lot more for a movie to truly knock my socks off.
The escapist horror of Stephen King is known and perhaps beloved for its eery “other” worlds and frightscapes mirroring our own reality, yet are not quite the same. Something is always off in the very best of King’s written stories and media adaptations, and in the same way, Pet Sematary (a remake of the schlocky 1989 horror hit) contains just about everything recognizable in a memorable, unshakeable King horror, but something here inevitably strikes as a bit twisted and wrong.
Robin Bissell has produced, though not frequently, films of varying quality over the years, primarily under director Gary Ross. If you’ve watched Pleasantville, Seabiscuit, The Hunger Games, or Free State of Jones, for instance, then you’ve had a chance to spot his name in the credits. And now, after two decades of bringing films to the big screen, Bissell has jumped into the director’s chair with his own screenplay for The Best of Enemies, a lukewarm debut for the veteran producer under the STX Films brand.
There’s a moment in Unicorn Store when frustrated Kit (Brie Larson) is coaxed to sit down at the kitchen table for a chat with her mom, Gladys (Joan Cusack). During their mother-daughter heart to heart, Gladys tells Kit, “The most grown-up thing you can do is fail at something you love.” This is the gamble Brie Larson takes on as director and star of the latest Netflix original film. Unicorn Store is not a failure by any means, but it’s also quite far from brilliance.
The inmates are running the asylum this week as Jon is absent for mysterious reasons and Will takes over the show to ramble about Danny DeVito, Sad Clowns, and his enemy list with special guest Cory Woodroof! Later in the show, Will is high on his own supply — i.e. the sound of his own voice — as he spews more nonsense about Harmony Korine in a prolonged, in-depth conversation about The Beach Bum, starring a far-out Matthew McConaughey. All this and more as fans begin to get worried about Jon’s sudden disappearance.
This month for our Extra Milestone series, we’re discussing the classic Billy Wilder comedy Some Like It Hot, celebrating 60 years since its release on March 29,1959. Joining us is Sam Noland, our Movie of the Week columnist. In this discussion, we cover the background and legacy of the film, which stars Marilyn Monroe, Jack Lemmon, and Tony Curtis. Afterward, we dive into the plot of the film with clips and our own double entendres.
If there’s one adjective I typically abhor when it comes to describing films, it’s “cute.” Cute, to my disgruntled ears, comes off as cheap, lazy, and non-descriptive. It’s a broad word that doesn’t really get to the meat of one’s feelings beyond the surface level. It’s a deflection term, often used to describe the exterior of a film while avoiding anything specific, intellectual, or meaningful. It’s an inoffensive word, certainly; there’s really no sense in getting mad about its overuse beyond my (admittedly) overbearingly high literary standards. But I still find it ceaselessly grating. What exactly does it mean to be “cute” anyway? It looks nice? A squeaky-clean disposition? Positive vibes? Good morals? It’s a placeholder word when others fail you.
Originating from the German Expressionist movement of the early 20th century, film noir is a corner of cinema often reduced to a shallow microcosm of its time period. It’s a genre that has been worked in ever since the 1930s, but the most common association with noir is made to the stylish, studio-mandated crime dramas of the 1940s. Production-code-overseen stories of bitter detectives, steely romantic interests, and Tommy Gun-toting gangsters punctuating every sentence with “See?” are typically conjured up when thinking of the prototypical noir story, but there’s a distinct tonal influence hovering over these films, setting them apart from other thrillers. This is the compelling narrative underpinning the Criterion Channel’s choice for our 8th Movie of the Week.
Shazam! is probably the last film a lot of superhero movie fans expected from the expanded cinematic universe of DC stories, which have recently taken a turn for the colorful and fantastical with Aquaman, as well as the dynamic and righteous Wonder Woman. Unlike those entries into the ever-growing mythology of live-action gods and heroes, this new film from oft-horror director David F. Sandberg is a heartfelt family comedy with an authentically “teen” edge, boasting far more angst to chew on than its closest rival, Spider-Man: Homecoming.
In the light of day, the American prairie is an open and endless field of grass. Landscapes of the Old West stretch on for miles, and the golden plains evoke a warm, welcoming feeling. But at night, the howling wind creeps in through the windows. Candles flicker and the once open country becomes a claustrophobic nightmare, where nature speaks and shrieks. This is the visage first-time director Emma Tammi captures in The Wind, a psychological western-horror hybrid with haunting elements that work separately, but never coalesce into something truly frightening.
This week, we’re dedicating the majority of the show to reviewing the new horror film Us, the second feature by director Jordan Peele after his 2017 debut Get Out. We’ll be discussing the film entirely spoiler-free for the first half of this review, then after a fairly obvious spoiler warning, we’ll be digging deep into the secrets, meanings, and interpretations we had after our first watch. Plus, we kick off the episode with a brief review of Yardie, the first feature film directed by Idris Elba.
There are many times in life — perhaps especially, as a critic — when you have to admit that you were wrong. “To err is human,” Alexander Pope once said, and I believe that to be true. For me, when I first saw Get Out in theaters in 2017, I recognized it as a strong and […]
In 2001, the four members of the 1980s rock band Mötley Crüe chronicled their drug and sex laden escapades in a tell-all book entitled The Dirt. It was far more about sex and drugs than it was rock ‘n’ roll; detailing stories of trashed hotel rooms, struggles with addiction, and personal pitfalls over the sake of living the rockstar life doled out in absolute chaos. The film incarnation is, unfortunately, much of the same. Netflix’s adaptation of the tumultuous, vile story of Mötley Crüe never finds the right tone and ultimately hits all the wrong notes.
It’s been half a century since the significant culminating events of the Space Race, and the film landscape is making good on celebrating this milestone. 2018 saw several high-profile releases for Stanley Kubrick’s 2001: A Space Odyssey, plus there was the debut of First Man, Damien Chazelle’s fantastic Neil Armstrong biopic. And even more recently, there was the 2019 IMAX release of Apollo 11, Todd Douglas Miller’s fascinating documentary. Not to be outdone, the Criterion Collection recently offered the acclaimed documentary For All Mankind to early subscribers of their approaching streaming service.
Cinemaholics Podcast #108 – Triple Frontier, Five Feet Apart, Captive State, The Mustang, After Life
Special guest Sam Noland joins us for a triple review of Triple Frontier, a new “soldier-heist” film debuting on Netflix and starring Ben Affleck and Oscar Isaac. We’re also getting emotional over the new teen romance dramedy Five Feet Apartstarring Haley Lu Richardson and Cole Sprouse. Stick around for even more reviews, including the new sci-fi release Captive State, After Life from Ricky Gervais, and The Mustang, now in limited release.
Captive State has a lot going for it: a talented cast and crew, a solid visual and narrative aesthetic, and an interesting premise rife with potential to explore the faith we bestow upon our leaders. It deeply saddens me, then, to report that the film misses nearly every opportunity to create something meaningful, original, or memorable. It fails to deliver on any of the promises it makes from the outset and winds up feeling like a wholly unrewarding chore to watch.
The Criterion Collection is often revered (rightfully so) for bringing well-deserved attention to the more obscure, lesser-known corners of cinema history. They have highlighted great films that — whether due to poor accessibility or popularity — have been largely forgotten, and those interested enough to take advantage of the opportunity are typically better off as a result. Their sixth movie of the week, available exclusively to charter subscribers of The Criterion Channel, is a prime example of their knack for worthwhile curation and restoration, and it also serves as an exciting sneak peek into a title not yet released on physical media.
‘Five Feet Apart’ Review – Haley Lu Richardson Should Move Far, Far Away From This Weepy, Teen Romance
Though it is not based on a young adult novel, despite what my brain might tell me (Side note: it’s all the more confusing because they made a novelization and released it at the end of 2018), Five Feet Apart is centered around Stella Grant (Richardson), a bright, motivated teenager who cannot live her fullest life due to the limitations of her cystic fibrosis (CF) diagnosis.
For every fan of cinema, there’s one film that changes everything. It reworks your system. Gives you a new lease on life. Or, perhaps in less dramatic terms, it reroutes your perception of film in general. These rare movies give you a totally new understanding of the art form and can show you what this wondrous medium can do. They provide unforgettable epiphanies and serve as luxurious early showcases for how authentic, inviting, delicate, invigorating, and downright humane cinema can truly be.
Cinemaholics Podcast #107 – Captain Marvel, Leaving Neverland, Miracle Workers, The Aftermath, The Kid
Spring is in the air, and so is Captain Marvel. We’re flying higher, further, and faster in our review of the new Marvel superhero film starring Brie Larson, and joining us is special guest Kimber Myers of the LA Times. We also discuss Leaving Neverland, a new HBO documentary from Sundance about the sexual abuse allegations of Michael Jackson, as well as some other new releases like The Aftermath, The Kid, and one new TV series on TBS starring Steve Buscemi, Daniel Radcliffe and many others in Miracle Workers.
At one point in The Kid, a new western directed by Vincent D’Onofrio, someone utters the tremendously bold statement, “It only matters the story they tell when you’re gone.” With all due respect to real-life outlaw “Billy the Kid,” you probably deserve the story this film decides to tell about you.
For their fifth Movie of the Week, the Criterion Channel has decided to highlight Charles Burnett’s career with his third feature film, To Sleep with Anger, released on October 12, 1990. The familial drama tells the story of Harry (Danny Glover), a mysterious drifter from the Deep South who takes up a temporary residence in the home of an old acquaintance named Gideon (Paul Butler) and his wife Suzie (Mary Alice), as well as their extended family.
Keeping your emotions in check means maintaining a semblance of control. Don’t be hysterical, don’t lose your cool, don’t show your feelings or risk being called weak. This is what the titular Captain Marvel (played by Brie Larson) is struggling with when we first meet her training on the planet Hala, far from the Earth we know in more ways than one.
Special guest Cory Woodroof joins us for a quick Oscars 2019 recap, plus we dig into the recent controversy surrounding Steven Spielberg and Netflix. Our main review is Greta, a new thriller from director and co-writer Neil Jordan starring Chloë Grace Moretz, Isabelle Huppert, and Maika Monroe. We also discuss the new IMAX documentary Apollo 11, which just hit limited release along with Gaspar Noé’s dance horror Climax. Last up is The Boy Who Harnessed the Wind on Netflix, Chiwetel Ejiofor’s directorial debut, which he also stars in alongside Maxwell Simba.
For our debut episode of a bonus series we’re calling Extra Milestone, Sam Noland joins us as we celebrate the 85th anniversary of Frank Capra’s It Happened One Night, which was released on February 22, 1934 and stars Clark Gable and Claudette Colbert. Largely hailed as the first screwball comedy and an early precursor to the modern rom-com, this is one film you’ll definitely want to cross off your cinematic bucket list, or perhaps revisit.
For their fourth Movie of the Week, Criterion Channel has wisely decided to highlight Andrei Tarkovsky, one of the greatest filmmakers of all time. Any one of Tarkovsky’s seven feature-length films released between 1962 and 1986 would make for an excellent showcase of his talent, but it’s only natural that the final choice would be what is perhaps his most talked about film: Stalker. Released in Russia during the spring of 1979 (and a few years later in the U.S.), the film has become a favorite among cinephiles, as well as an undoubtable influence on sci-fi and arthouse fans alike.
Directed by Joe Penna and released by Bleecker Street, Arctic tells the story of a man (Mads Mikkelsen) stranded in the North Pole following a plane crash, where living off of a meager diet of snow and small fish, frivolously broadcasting a poor radio signal, and endlessly awaiting rescue are the only ways to pass the […]
Cinemaholics Podcast #105 – How to Train Your Dragon: The Hidden World, Fighting with My Family, Paddleton
Special guest Sam Noland joins us for a high-flying review of DreamWorks Animation’s third How to Train Your Dragon film, The Hidden World. We’re also discussing the new family sports comedy-drama Fighting with My Family from writer and director Stephen Merchant, starring Florence Pugh. Later in the show we dig into some of the Oscar-nominated short films and review Paddleton, a new […]
When it comes to trilogies, it’s common for the third (and typically final) installment to be the weakest of the bunch. There are exceptions, of course, like Toy Story 3, for instance. Many Lord of the Rings fans would consider The Return of the King to be the franchise’s finest hours. It certainly has the Oscars […]
Paige and her brother Zak (Florence Pugh and Jack Lowden) want nothing more than to be professional wrestlers, to be whisked away from their small town in England and into the throes of Wrestlemania in America. They were born into a wrestling family, sure enough, and their dysfunctional, WWE-enthused parents (Nick Frost and Lena Heady) […]
Following the tragic termination of Filmstruck, the thoughtfully curated and programmed streaming service, Criterion triumphantly assured distraught fans that they would be independently forming a service of their own. They have a built-in audience by now, and the notion of a service specifically aimed at hardcore cinephiles is thrilling (and necessary) to critics, scholars, film […]
We’re celebrating Valentine’s Day weekend with some new films featuring powerful female leads. Special guest Val Complex joins us to review Alita: Battle Angel, a new sc-fi blockbuster from Robert Rodriguez and James Cameron starring Rosa Salazar. We also discuss Happy Death Day 2U, the sequel to the horror slasher comedy from 2017 starring Jessica Rothe. And Isn’t It […]
Isn’t It Romantic makes a clear, uncompromising proposition to an audience that should be game. It’s a romantic comedy about romantic comedies, centered around a non-traditionally “Hollywood attractive” leading actress who hates romantic comedies but nevertheless finds herself “trapped” in one. Put more simply, it’s a Rebel Wilson laugh machine that relies on your love […]
‘Happy Death Day 2U’ Review – A Time Loop Sequel That’s Just As Fun And Rewarding the Second Time Around
If there’s any sequel that warranted the right to repeat itself, it’s Happy Death Day 2U. Writer/director Christopher Landon’s promising continuation of his surprisingly spry time loop PG-13 horror-comedy smash Happy Death Day is given a liberating golden pass to ultimately remix its original and essentially remake his hit film — if he wished. Hell, I wouldn’t even […]
You can have the most cynical, braindead, waste of space movie hitting the big screen, and yet it may still win your heart. Why? Because “effort” is always the undervalued advantage hiding behind loud, dumb movies. And the opposite is also true. A film that should work on paper—great cast, writing, visual styles, etc.—can crash […]
Don’t forget to put your toys away. We’re reviewing The Lego Movie 2: The Second Part, the long-awaited sequel to the surprise animated hit of 2014. We’re also covering some big new releases, including What Men Want, starring Taraji P. Henson. Plus, we discuss Cold Pursuit, a black comedy revenge thriller starring Liam Neeson, then High Flying Bird, which is a […]
Jake Gyllenhaal reunites with writer/director Dan Gilroy in the all-out bonkers arthouse horror satire Velvet Buzzsaw, which is our featured review this week. Later in the show we break down the 2019 Sundance Film Festival, teasing some of the most intriguing new films set to release later this year.
It was the greatest party that never happened. We review the dueling documentaries recently released on Netflix and Hulu covering the infamous failure that was the “Fyre festival.” Plus, it’s that time of year again when we obsess over the most prestigious film awards event you’re probably not watching. We talk about the Oscar nominations for 2019 […]
We’re still reeling after watching Serenity, a new bonkers neo-noir fishing boat mystery film directed by Steven Knight (Locke) and starring Matthew McConaughey, Anne Hathaway, Diane Lane, Djimon Hounsou, Jason Clarke, and Jeremy Strong. Special guest Charlie Ridgely (ComicBook.com) joins us for this extended Last Call review, which begins with a spoiler-free section.
Special guest Chris Evangelista (Slashfilm) joins us this week to talk about Glass, M. Night Shyamalan’s follow-up to Split and Unbreakable starring Bruce Willis, Samuel L. Jackson, and James McAvoy. Also, it’s our 100th episode! After our featured review, we answer listener questions and discuss some of our favorite films of all time.
Hold on to your emotions. We’re catching up on one of the best films of the year, If Beale Street Could Talk, with special guest Julia Teti (The Playlist) . Later in the show, we also talk about The Upside, a new inspirational drama starring Bryan Cranston, Kevin Hart, and Nicole Kidman. Stay tuned for even more reviews, including Black Mirror: Bandersnatch on […]
We’re counting down our Top 10 movies of 2018! But you won’t just hear picks from the regular cast of this show. We reached out to Cinemaholics contributors across the globe to help us figure out the definitive “Cinemaholics movie of the year.” And we’re not just talking about our favorite films in 2018. We’ll also […]
Finally, former Vice President and War on Terror cheerleader Dick Cheney has gotten his own comedic biographical film from The Big Short director Adam McKay in Vice. Plus, Netflix has dropped their latest holiday blockbuster, Bird Box, which stars Sandra Bullock along with a huge, talented cast of recognizable faces, but does is this survival thriller worth seeing? Later in […]
Steve Carell stars in the latest film from legendary filmmaker Robert Zemeckis. And, well, uh oh. Critics aren’t loving Welcome to Marwen, neither are audiences, and here to explain some of…whatever this movie is…we have special guest Matt Serafini joining Will Ashton for a special Last Call bonus episode! Sorry, Matt.
It’s a surf and turf episode! First, we’re diving into the latest DC Comics superhero flick Aquaman. Plus, Hailee Steinfeld and John Cena star in Bumblebee, the latest Transformers film. But this one’s a bit different because it’s a prequel set in the 80s and it’s all about the titular, yellow lovebug. Later in the show, you’ll hear us review […]
Time to dust off your kites. Mary Poppins has ofifcially returned, this time as Emily Blunt, along with an (almost) all-new cast taking residence at 17 Cherry Tree Lane. Special recurring guest Alisha Grauso (Forbes, BirthMoviesDeath, Marvel.com) joins the show to help us review Disney’s long-awaited sequel to the film starring everyone’s favorite magical nanny.
Special guest Matt Serafini joins this show this week to review Sony’s latest Spider-themed adventure. Later in the show, you’ll also hear reviews for Mortal Engines, The Marvelous Mrs. Maisel Season 2, our early reactions to Aquaman, and plenty more.
A lot of films are flying at us this month, so we decided to do a marathon of reviews this week. Not only do we cover some limited releases battling it out for Golden Globes and Oscars, but we also cover some recent streaming releases and major blockbusters that have come out in the last […]
We’re catching up on our most anticipated films of the winter season, starting this coming week and going all the way through February. This includes some prestige awards favorites we haven’t checked out yet, but also major blockbusters and animated features that will keep us warmly entertained throughout these cold, chilly months. We also tease […]
Hey kids! It’s almost December, and you know what that means! Roughly 40 minutes of Will Ashton and the It Ain’t Ogre Til It’s Ogre podcast crew talking about a Dr. Seuss adaptation featuring your favorite Benedict Cumberbatch-voiced Illumination-produced holiday-stealing green bad boy. That’s right, Will, Chris, and Matt are talking about the recently released The […]
The film otherwise known as Wreck-It Ralph 2 has just hit theaters like a box office smashing wrecking ball, but did Ralph break our expectations, too? We discuss and review this new Disney film along with Green Book, The Christmas Chronicles, Robin Hood, and Cam, so tune in for yet another packed episode.
Happy Flicksgiving! Per the request of one of our patrons, we’re retro reviewing The Hateful Eight, directed by Quentin Tarantino and starring Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Tim Roth, and Walton Goggins. The film originally came out at the tail end of 2015, so what our thoughts three years later?
Should we Expelliarmus this new Harry Potter prequel sequel from our minds (wait, is that Obliviate?) Special guest Tyler Carlin of the Bacon and Eggs podcast joins us this week to discuss the latest misadventures of Newt Scamander in J.K. Rowling’s Wizarding World of finanical decisions. We also review The Ballad of Buster Scruggs, Instant Family, Can You Ever Forgive […]
October is dead and gone, but Overlord brings some gore-infused horror back to the big screen right on time for the holidays. The Cinemaholics review this new WWII historically revisionist war movie (but with Nazi zombies) from director Julius Avery. Plus we review The Grinch, Widows, Outlaw King, and The Front Runner.
Is Bohemian Rhapsody Freddie Mercury’s real life, or is it just fantasy? Well, the Cinemaholics are caught in a landslide of controversy surrounding Fox’s new biopic starring Rami Malek about the iconic band’s rise to fame in the 70s and 80s. Also in this show, the gang reviews Suspiria, The Nutcracker and the Four Realms, The Haunting of Hill House, Wildlife, and Boy […]
Get ready for one badical review. This week, we discuss the new A24 coming of age skater film written and directed by Jonah Hill and starring Sunny Suljic, Lucas Hedges, Katherine Waterston, and a host of talented newcomers. Later in the show, we also review “The Chilling Adventures of Sabrina,” Johnny English Strikes Again, “Red Dead […]
Is Halloween a trick…or treat? This week, we review the latest followup to the 1978 classic horror film of the same name, directed this time by David Gordon Green with Jamie Lee Curtis and Nick Castle reprising their roles as original final girl Laurie Strode and unkillable serial killer Michael Myers. We also review The Hate U Give, Apostle, […]
Drew Goddard directed and wrote this new neo-noir thriller about one night gone horribly wrong at a hotel with some disturbing, dark secrets. Starring Jeff Bridges, Cynthia Erivo, Jon Hamm, Dakota Johnson, Chris Hemsworth, and more, this ensemble piece had all of us at Cinemaholics talking, so we decided to do a special Last Call […]
The review has landed, but does First Man have wings? That’s what we’re here to find out. Damien Chazelle’s latest film promises to be his prestige hat trick at the Oscars, with starring roles for Ryan Gosling and Claire Foy that might be out of this world. Also in this week’s show, we review some new Netflix […]
T.J. Wolsos, cofounder of PixarPost.com, joins Jon Negroni for our latest Happy Hour topic: are the best Pixar films behind us? Jon and T.J. discuss the current state of Pixar Animation Studios, from their work culture and recent scandals to the actual movies they have slated for the next decade. This is one conversation about Pixar […]
Get ready to sink your teeth into our double feature review of Venom and A Star is Born, this week’s double wide release. Is Venom too toxic for audiences? And should moviegoers get loud for the latest remake of A Star is Born? Also, stay tuned for our exclusive interview with Joe Morton, star of the new CBS show “God […]
Welcome to our first ever Cinemaholics Happy Hour, a new bonus episode series where one of us sits down with a special guest to discuss just one topic that’s on our minds. This week, Cinemaholics host Jon Negroni sits down with Alisha Grauso to discuss the controversy surrounding Guardians of the Galaxy director James Gunn and his […]
We’re breaking the “pattern” this week and we just might lose our minds reviewing Maniac, the new limited series on Netflix directed by Cary Fukunaga and starring Emma Stone and Jonah Hill. We also air our interview with Karey Kirkpatrick, the director of Smallfoot, then review the film ourselves along with Hell Fest, The Hate U Give, Night School, and […]
It’s finally time for our long-anticipated Q&A episode! We gathered questions from Cinemaholics listeners all across the internet and did our best to answer them. We discussed our most overrated and underrated films, debated which decade of film is better than the other, relived our final Blockbuster Video memories, and a whole lot more. It’s […]
Did Eli Roth’s first foray into children horror films tick us off? Or were we spellbound by the performances of Jack Black and Cate Blanchett? Tune in to hear our thoughts on The House with a Clock in Its Walls, a new adaptation of the popular book series from the 1970s. And stick around as we also […]
With the debut of Shane Black’s The Predator, we here at ATAIG decided to do what we normally do and take a look back at the entire Predator series leading up to this point. We revisit the original classic, the lesser-known sequel, the notorious crossover, the even MORE notorious crossover, the other lesser-known sequel, and the latest […]
If it bleeds, we can review it! This week, we’re discussing The Predator, the sixth film featuring the iconic alien hunter introduced in 1987’s Predator, this time directed by Shane Black. We also discuss some big announcements for the podcast moving forward, plus we mini review A Simple Favor, White Boy Rick, The Nun, and more.
We’re back! We’ve been away for a little while, but the wait is over, and to celebrate our return we’re catching up on ALL of your feedback! We work our way through an entire summer’s worth of comments and emails, and there are plenty of conversations and debates to be had. Hopefully, we’ll be able […]
You voted, we listened! This week we’re doing our full preview of the Fall movie season, from September all the way through November (cut off date is December 1st, even though that’s still “technically” considered Fall). We discuss our most anticipated films coming out, as well as our honorable mentions and a few notable films […]
Our featured review this week is Crazy Rich Asians, starring Constance Wu, Henry Golding, Michelle Yeoh, and a massive all-Asian ensemble cast in what could be the summer’s biggest and best romantic comedy. We also review To All the Boys I’ve Loved Before, Alpha, Disenchantment Season 1, and Mile 22.
With the recent release of Mission: Impossible – Fallout, we here at ATAIG thought it would be the perfect opportunity to trace the lineage of the series, from 1996 to 2018 and try to figure out just why this franchise has managed to keep going strong. We talk about the ones that worked (five of them), […]
In this week’s episode, should you choose to listen to it, we review Mission: Impossible – Fallout, the latest in the action-blockbuster spy series starring Tom Cruise as Ethan Hunt. We also review Teen Titans Go! To the Movies, Luke Cage Season 2 on Netflix, Who Is America, Robin Williams: Come Inside My Mind, and Damsel.
In celebration of Dwayne Johnson’s new action blockbuster Skyscraper, as well as the recent roast of Bruce Willis on Comedy Central, we decided to talk about the (surprisingly pretty good) series of movies known only as the Die Hard franchise. Anthony took over as host this week as we took a 25-year journey from 1988 all the way to […]
In what is somehow our second longest episode to date, we decided to take a look at the quickly-escalating career of writer/director Taylor Sheridan, in honor of this summer’s controversial new release Sicario: Day of the Soldado. We discuss the themes, politics, and marketing tactics of the new release, as well as our predictions for the planned […]
In what is undoubtedly our longest episode to date, we decided (against our better judgment) to revisit all five movie in the Jurassic Park franchise, from the original 1993 film all the way to the newly released Jurassic World: Fallen Kingdom, we dissect the few successes and many failures of the series thus far. Needless to say, we have […]
Special guest Sam Noland of Anyway, That’s All I Got joins the Cinemaholics this week for an action-packed episode, where we review the new film Sicario: Day of the Soldado, the sequel to the 2015 surprise critical hit, Sicario. We also do an early sneak peek review for Ant-Man & The Wasp, then reviews for Leave No Trace, Uncle Drew, and American Animals.
Special guest Jake Holland joins the Cinemaholics for an episode of prehistoric proportions, as we review Jurassic World: Fallen Kingdom, the latest film in the Jurassic Park franchise. We also tackle some big movie news and review Luke Cage Season 2, Thoroughbreds (again), and Set It Up.
With the release of Incredibles 2, we decided to look back on the filmography of director Brad Bird, which proved to be fascinating, enlightening and exciting (for the most part). From The Iron Giant in 1999 all the way to Tomorrowland in 2015, we break down every Brad Bird directorial effort, and afterward we respond to some of your […]
This week, we decided to look back on the series of films that has led up to this past week’s release of Ocean’s 8. We start all the way back in 1960 with The Rat Pack, make our way through Steven Soderbergh’s trilogy, and finally arrive at the newest installment. Afterwards, we take some time to […]
Welcome to our first ever LADIES NIGHT episode of Cinemaholics, hosted by Kimber Myers with special guests Alisha Grauso and Candice Frederick! The ladies took over our normal programming for a double feature review, starting with the new A24 horror hit, Hereditary, followed by the female-led heist spinoff, Ocean’s 8.
It’s much more laid-back on ATAIG this week, because we decided to talk about some of our favorite (and possibly least favorite) ROBOTS from movies, in celebration of last week’s low-budget sci-fi thriller Upgrade (not technically a robot, but we thought it was close enough). Listen as the ATAIG crew discuss some of the most well-written, […]
This week, we review Upgrade, a new sci-fi action horror from Blumhouse. We start off with some big announcements, Jon’s experience at Pixar Fest, and our reactions to the poor Solo: A Star Wars Story box office. And later on we get into our mini reviews for Adrift, Arrested Development Season 5, and more.
Special guest Catrina Dennis joins Cinemaholics this week to help review Solo: A Star Wars Story. Plus, we review 13 Reasons Why Season 2, Joe Pera Talks With You, and the New Girl series finale.
Solo: A Star Wars Story hits theaters this weekend, so we decided to revisit each and every Star Wars movie, including the strange, misfit TV movies history has tried to erase. We didn’t want to force (no pun intended) every single installment into one episode, so for part 1 of our discussion we review everything from […]
This week on Anyway, That’s All I Got, we decided to talk about something a little more relaxed than what we’re used to and discuss some animated movie recommendations. Whether they’re underseen or underrated, we talk about the animated movies we wish would get more attention than they already do. We excluded anything by Disney […]
Get ready for a real mother of an episode as we review Tully with special guest Abby Olcese! This is a new comedy-drama film from director Jason Reitman and writer Diablo Cody (Juno, Young Adult), which tells the story of a deeply over-stressed mother of three, starring Charlize Theron, Mackenzie Davis, Ron Livingston, and Mark Duplass.
Now that Avengers: Infinity War has finally been released, we were able to continue our breakdown of the Marvel Cinematic Universe (MCU). We start by catching up on Ant-Man, which we didn’t realize was part of Phase 2, followed by our breakdown of Phase 3 (so far). From Captain America: Civil War all the way to Avengers: Infinity War, […]
Avengers: Infinity War is poised to take the entire world by storm this summer, so for our monthly Cinemaholics crossover episode, we’re revisiting and analyzing the first 11 films in the Marvel Cinematic Universe. From Iron Man to Avengers: Age of Ultron, we discuss the hits and misses of the first two phases of the MCU and […]
It’s time for our second annual Summer Movie Preview episode, where we cover the 2018 movies we’re most excited about from May through August! Unlike last year, we’re pretty low on excitement when it comes to a lot of the blockbusters scheduled for release, so expect some under-the-radar indie flicks to make our lists and honorable mentions.
In honor of the unfortunate passing of R. Lee Ermey, this week we decided to count down our 5 favorite supporting characters from a whole litany of movies. We quickly realized that we had bitten off more than we could chew with this massive topic, because there are literally MILLIONS of supporting characters, but we […]
In honor of the release of A Quiet Place, the ATAIG crew got together to count down their top 5 most suspenseful movies! It’s a very broad, personal, and subjective topic, so our lists ended up being very diverse and indicative of our own sensibilities. There are plenty of obvious choices, but there are also plenty […]
This week on Anyway, That’s All I Got, we decided to tackle Wes Anderson’s entire filmography in a broad, chronological overview. We start in 1994 with the original Bottle Rocket and work all the way forward to the newly-released Isle of Dogs. We all have a variety of strong opinions on his filmography, so this discussion takes […]
The ATAIG crew is back with a list of their favorite movies they watched with their families…whether they wanted to or not. The episode is chocked full of nostalgia, tangents, and bad puns (mostly by Sam). We talk about The Birdcage, Big Fish, Point Break, Planet of the Apes, and plenty more with special guest Guy Simons.
Love to raid tombs? Or do you just love Simon? Either way, we’ve got the episode for you, especially if you’re also super curious about the death of Russian dictators.
Which Oscars movies have been the most notable throughout history? In this latest episode of Anyway, That’s All I Got, hosts Sam Noland, Jason Read, and Anthony Battaglia discuss some of the best wins and biggest upsets for the Academy Awards. Plus, they recap some of the wins from the 2018 awards.
We got a little out of control last week with our episode about the worst remakes, so this week we did a more free-flowing discussion about our favorite guilty pleasure movies from Click to Con-Air. Not sure if that’s an understandable range, but that’s what we’re going with.
Here’s the first episode of our new spinoff podcast: Anyway, That’s All I Got! In their inaugural episode, host Sam Noland talks with Anthony Battaglia and Jason Read about the best movie remakes across history, narrowing down to 5 each but also mentioning almost 50 other films in consideration. Enjoy the show! Anthony’s Top 5: 5. 12 […]
Special guest Sam Noland joins the show to help us review The Cloverfield Paradox, Peter Rabbit, The 15:17 to Paris, and plenty more.
Special guest Alex Billington from FirstShowing.net joins us on Cinemaholics this week to discuss all things Sundance, live from Park City, Utah. Alex saw 42 films total over the course of the festival, and he’s got plenty to share about what are sure to be some of the year’s biggest and best films, months before […]