Alexander Skarsgård, Nicole Kidman, and Anya-Taylor Joy star in Robert Eggers’ ‘The Northman,’ a viking revenge epic with blood to spare.
No time like the present to talk about Everything Everywhere All at Once, but also Richard Linklater’s Apollo 10½: A Space Age Childhood!
Triple, double, reviews, and trouble…
Are we down bad for Sean Baker’s latest A24 film? Well, for starters, it stars Simon Rex and isn’t in black and white.
Oh, Coen brother.
Simon Rex stars as a down-on-his-luck huckster who can’t seem to get over his nostalgic view of the past. Sound familiar?
Special guest Alisha Grauso joins our roundtable to discuss The Green Knight, a new A24 fantasy epic from director/screenwriter David Lowery (A Ghost Story). The film stars Dev Patel as Sir Gawain, King Arthur’s nephew, who embarks on a dark, existential, anti-hero’s journey to his own doom. The film also stars Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris, Barry Keoghan, Kate Dickie, and Ralph Ineson. And it’s loosely based on the poem, Sir Gawain and the Green Knight.
It turns out there’s still plenty of creativity and emotional stakes to be mined from the furiously picked over lore of King Arthur and his roundtable. The Green Knight openly advertises itself as a loose adaptation of Sir Gawain and the Green Knight, an anonymously-written poem that has long been considered an uncomfortable sticking point for religious authors and perhaps filmmakers who aren’t all that interested in tackling the spiritual politics between Christianity and the pagan roots of British folklore. Thank god (or gods?) for David Lowery.
July 4th weekend passed, and we spent it doing (what else?) watching a ton of movies. In addition to our in-depth review of The Tomorrow War, the new Chris Pratt sci-fi blockbuster on Amazon Prime Video, we kicked off the show with a conversation about the Purge franchise, thanks to The Forever Purge (which we didn’t see). We also briefly went over Fear Street Part 1: 1994 on Netflix and The Boss Baby: Family Business. And finally, we did the reviews, which include Zola from A24, Summer of Soul from Searchlight, and No Sudden Move from Warner Bros.
The “hey, isn’t pregnancy pretty scary?” genre gets an all-new entry with A24’s False Positive, a deliriously bold and visually unflinching psychological horror from writer and director John Lee, who helmed a few episodes of “Broad City” with this film’s star, co-screenwriter, and co-producer Ilana Glazer. As an obvious homage to the chilling paranoia of Rosemary’s Baby, where a young woman suspects her neighbors might have dastardly plans in store for her unborn child, False Positive takes these similar themes, such as the plight of female agency in a male-dominated world, and adds even more contemporary topics like gaslighting in its effort to give this sub-genre a bit of a rebirth.
Yuh-Jung Youn is a legendary Korean actor whose film and television work spans over 55 years. In the new A24 film, Minari, she stars alongside Steven Yeun, Han Ye-ri, Alan Kim, Noel Kate Cho, and Will Patton as the grandmother of an immigrant family trying to achieve the American Dream in 1980s rural Arkansas. The film was directed and written by Lee Isaac Chung, and Yuh-Jung is now the first Korean actress to ever be nominated for a Screen Actors Guild award for Outstanding Performance by a Female Actor in a Supporting Role. I spoke with Yuh-Jung about Minari, the current state of the entertainment industry, and why this film will hopefully resonate with people of all backgrounds.You can listen to the full interview as a podcast (above) or read the edited transcript (below).
Good news, we don’t need a superpower pill to put on a powerful episode of Cinemaholics, which this week covers Project Power, now on Netflix and starring Jamie Foxx, Joseph Gordon-Levitt, and Dominique Fishback. We also discuss Boys State from A24, a documentary about Texas students who learn about politics by building a government of their own, which is now streaming on Apple TV+. Will describes the less magical elements of Magic Camp, a family comedy that just hit Disney+ starring Adam DeVine and Gillian Jacobs. And last, we have a heated debate about the controversial documentary Happy Happy Joy Joy, which is about the making of Nickelodeon’s pioneering ’90s cartoon “Ren and Stimpy” and the complicated legacy of its problematic show runner.
Director Trey Edward Shults has a clear interest in the tools needed for families to survive whatever dangers may come their way. His sophomore film from 2017, It Comes at Night—also an A24 film—explored a heightened metaphor for the terrors parents inflict upon their children just as easily as they themselves fear it, and in Waves, Shults presents a far more grounded, but equally as harrowing tale about the fragility of success in modern America.
Special guest Brandon Katz joins us for a bonus episode of Cinemaholics. We dive into Waves, the new A24 drama starring Kelvin Harrison Jr., Taylor Russell, and Sterling K. Brown. After that, we review Honey Boy from Amazon Studios, which stars Shia LaBeouf as his own father in a semi-autobiographical drama about his life as a child actor coming of age.
Have you tried…not being a Cinemaholic? The “X-Men” franchise is on its last wings these days, so Jon and Will are here to discuss Dark Phoenix, Fox’s last breath of fire before Disney bought the rights to these characters. We also discuss the new comedy Late Night starring Mindy Kaling and Emma Thompson, The Secret Life of Pets 2 from Illumination, and Joanna Hogg’s latest film The Souvenir from A24.
We’re not the podcast you thought we were before. This week, Sam Noland joins Jon Negroni for a packed episode, covering all the wide releases of the week, plus some extra limited/streaming releases. Our theme music this week is “Amoreena,” performed by Taron Egerton on the Rocketman soundtrack.
Special guest Cory Woodroof joins Will for a long conversation about Under the Silver Lake, the latest film from director David Robert Mitchell (It Follows), which stars Andrew Garfield and Riley Keough. Despite a lot of buzz surrounding this neo-noir thriller after premiering last year at Cannes Film Festival, A24 has only recently unleashed the mystery upon us hopeful cinemaholics. Is that for good reason? Dive in and find out!