In theory, there’s something quite lovely about David Oyelowo’s directorial debut, The Water Man. It’s a celebration of the power of storytelling and the ways in which we can use our imaginations to understand the intricacies of our realities. The execution is completely earnest and sometimes charming, particularly with a strong lead performance from newcomer Lonnie Chavis. The storybook quality, while not especially novel, certainly makes it an accessible film for young audiences, even when it deals with heavy subject matter. Despite its warm presentation, likable sincerity, and all its good intentions, there’s also a cold irony to how familiar and rudimentary it can be in its narrative structure.