The success of 2011’s Bridesmaids proved female comedies featuring the kind of bawdy, scattalogical humor typically seen in male-led comedies could lead to box office gold. In its wake came a wave of Bechdel-test-passing, R-rated comedies of varying degrees of success, including the smash hit Girls Trip in 2017. Chick Fight feels like the product of Bridesmaids-effect. The women of Chick Fight don’t give a damn about being “ladylike.” They’re badasses! They’re sexual like Melissa McCarthy in that plane scene! The romance is a side plot! But the movie lacks what set Bridesmaids and Girls Trip apart: authenticity.
The Babysitter: Killer Queen, directed by McG and starring pretty much the exact same cast as the first film, was released exclusively on Netflix earlier this month and is described by the service as a “teen comedy horror…sequel.” Thanks to the sequel’s release, the original went from a cult-favorite film to the first in a cult-favorite franchise. Much like the majority of its cast and crew, The Babysitter: Killer Queen is more of the same kind of material we got from the first movie. Yet, for whatever reason, I enjoyed this one a lot more.
This week, we’re kicking the show off with a brief conversation about The Last of Us Part II, plus some listener feedback about political ideologies informing our film reviews. Then we kick off the week’s new releases with Miss Juneteenth, a recent Sundance family drama starring Nicole Beharie. We also fasten our seatbelts for a review of 7500, a claustrophobic hijacking thriller starring Joseph Gordon-Levitt in his first film role since 2016. Will shares his thoughts on the new Netflix spy thriller Wasp Network, which has a huge cast including Penélope Cruz, Ana de Armas, Édgar Ramirez, and more. And we finish the show out with a drive-in feature called Infamous, which stars Bella Thorne and Jake Manley.