Somehow, Boba Fett returned.
Some people say this isn’t a “bolder” movie. But it does star the Rock. It’s hard to follow the dialogue. But at least it’s Blunt. No listener, you haven’t stumbled upon some pun-infested hell. No, you’ve found yourself on the Cinemaholics cruise with Jon and Will, as they review Jungle Cruise, the long-awaited adaptation of the Disney theme park ride starring Dwayne Johnson and Emily Blunt. Delayed twice since its original intended release in 2019, the movie is now available to watch in theaters and on Disney+ through Premiere Access.
Special guest Emily Tannenbaum joins us to review Black Widow, the long-awaited Marvel action spy film starring Scarlett Johansson, Florence Pugh, David Harbour, and Rachel Weisz. We open the show with early buzz for the 2021 Cannes Film Festival, then some quick catchup on other movies and shows we saw this week. Will briefly shares his thoughts on I Think You Should Leave Season 2 on Netflix, Emily teases the first several episodes of the Gossip Girl reboot on HBO Max, and Jon covers Fear Street Part 2: 1978 on Netflix, Till Death starring Megan Fox, and Monsters at Work on Disney+.
Relax, darling, we’re working overtime this holiday weekend to bring you our in-depth thoughts of Cruella, the latest Disney live-action reimagining, this time focusing on the delirious origins of Cruella de Vil, portrayed here by Emma Stone in a sprawling crime comedy directed by Craig Gillespie and written by Dana Fox and Tony McNamara. We also discuss Amazon’s acquisition of MGM and what that might mean for the future of the movie industry, plus some extra thoughts on the other films we saw this past week.
In the original animated movie (and, by extension, the 1996 live-action remake), Cruella is a dashing, fittingly devilish fashion obsessive who craves to skin the coats of Dalmatians because, well, she’s cruel and narcissistic. Cruella, from director Craig Gillespie, mostly buries this aspect of the villain’s psyche by giving more time to explaining her ascent (or descent?) to becoming a fashion superstar from extraordinarily humble beginnings.
So, we’re finally here. Last week was the finale of “The Falcon and the Winter Soldier,” a Marvel/Disney limited series that for the last six weeks has been absolutely dominating my television screen as much as it has my mind. Being a fan of Marvel’s live-action superhero ventures since I was a kid in 2008, it wasn’t hard for TFATWS to catch my eye. But while I came for the heroics, action, and quippy one-liners, what really compelled me (and many viewers) to stay were the mostly poignant and deep conversations about race, status, and the humanity of our favorite, godlike heroes. Key word: “mostly.”