Somehow, Boba Fett returned.
Okay guys, I know it. You’re tired of hearing about how good Marvel is. After thirteen years of existence, the MCU has produced hit after hit, with only the occasional Thor: The Dark World to leave a mark.
Relax, darling, we’re working overtime this holiday weekend to bring you our in-depth thoughts of Cruella, the latest Disney live-action reimagining, this time focusing on the delirious origins of Cruella de Vil, portrayed here by Emma Stone in a sprawling crime comedy directed by Craig Gillespie and written by Dana Fox and Tony McNamara. We also discuss Amazon’s acquisition of MGM and what that might mean for the future of the movie industry, plus some extra thoughts on the other films we saw this past week.
So, we’re finally here. Last week was the finale of “The Falcon and the Winter Soldier,” a Marvel/Disney limited series that for the last six weeks has been absolutely dominating my television screen as much as it has my mind. Being a fan of Marvel’s live-action superhero ventures since I was a kid in 2008, it wasn’t hard for TFATWS to catch my eye. But while I came for the heroics, action, and quippy one-liners, what really compelled me (and many viewers) to stay were the mostly poignant and deep conversations about race, status, and the humanity of our favorite, godlike heroes. Key word: “mostly.”
We’re only a third of the way through “WandaVision,” but if this recent episode is any indication, we can expect an avalanche of strange occurrences and sudden twists to occur every single week. Episode 3 of “WandaVision,” aptly titled “Now in Color,” comes to Disney+ with another 40 minutes of laughs, love, and absolute madness. The show starts off how the second episode ended, in brand spanking new technicolor!
One afternoon on a Sunday, the Cinemaholics got together to review Regina King’s debut feature film, One Night in Miami, which stars Kingsley Ben-Adir, Leslie Odom Jr, Eli Goree, and Aldis Hodge. Also in this episode, you’ll hear some mini reviews for “WandaVision,” The Ultimate Playlist of Noise, and more. And some extended discussion over Locked Down and Herself.
Cinemaholics is what you Mank of it. Which is why we’re reviewing David Fincher’s latest film, Mank, now streaming on Netflix and starring Gary Oldman, Amanda Seyfried, and Charles Dance. Manks in advance for listening. We also review Sound of Metal starring Riz Ahmed and Olivia Cooke, Black Bear starring Aubrey Plaza and Christopher Abbot, and Godmothered starring Jillian Bell, Isla Fisher, and June Squibb.
As a business model, Disney’s years-long effort to re-capitalize its most iconic animated films of yesteryear into big-budget, live-action (or live-action-esque in the case of last year’s The Lion King) reimaginings has been nothing short of a financial masterstroke, not too far below the juggernaut success of their Marvel and Star Wars acquisitions just a decade ago. In some ways, Mulan represents both the highs and lows of Disney’s trip down memory lane, from family favorites like The Jungle Book to more critically shrugged replicants like Beauty and the Beast. Either way, Mulan is sure to leave some audiences clamoring for more, while others might end up feeling somewhat cheated by what could’ve been.
In this episode about Hamilton, the live-recording of the hit broadway musical starring the original cast (Lin-Manuel Miranda, Leslie Odom Jr., Daveed Diggs, and many more) now streaming on Disney+, Jon raps.
We’re taking our latest film takes to court this week with Just Mercy, starring Michael B. Jordan, Jaime Foxx, and Brie Larson. We review the other big releases of the week, plus a second opinion on A Hidden Life and a catch-up discussion on Varda by Agnès.