Welcome to (perhaps) the largest Extra Milestone yet! In an Anyway, That’s All I Got reunion for the ages, I’m joined by Anthony Battaglia, Guy Simons Jr., and Jason Read to discuss three of the biggest epics of the 21st century! First up is Barry Lyndon, the passion project of Stanley Kubrick released in 1975, and a film that’s quite well-loved among hardcore cinephiles. After that, we circle back to Spartacus, an earlier Kubrick film that is rarely discussed in the context of his filmography, and perhaps for just reason! Finally, we jump forward to another one of the great directors with Ran, Akira Kurosawa’s massive and operatic masterpiece from 1985, and which only one of us had seen!
This week on Extra Milestone, I’m joined once more by my good friend Guy Simons Jr. to dissect a pair of (relatively) recent classics that have garnered acclaim over the years, and which have almost nothing whatsoever to do with each other! First up is Pixar’s groundbreaking debut feature Toy Story, the first-ever wholly computer animated movie that has gained a reputation as an indispensable landmark in special effects and storytelling. After that, we jump ahead to M. Night Shyamalan’s unconventional superhero story Unbreakable, a grounded deconstruction of the genre that arrived before cinema as a whole had become swept up in comic book storytelling, and which has amassed a sizable (and well-earned) cult following.
Guy Simons Jr. (of Anyway, That’s All I Got fame) joins me for the first time on Extra Milestone for a special Halloween episode devoted to two of the greatest serial killer movies of all time! Kicking off our conversation is Alfred Hitchcock’s game-changing masterpiece Psycho, including the unique and revolutionary distribution of the film, the ways in which it insidiously sets itself apart from every other movie, whether or not it should be considered a ‘slasher,’ and more! After that, we jump forward to David Fincher’s haunting detective thriller Se7en, a movie which one of us had somehow never seen until now! We also discuss the film’s somewhat troubled legacy, the ways in which it has infiltrated the internet consciousness, and even some valuable insight on whether or not it should be viewed as an optimistic film!