
Death on the Nile, Kimi – Cinemaholics Podcast
The real mystery behind Kenneth Branagh’s ‘Death on the Nile’ is whether or not we really disagree as much as it sounds in our review.
The real mystery behind Kenneth Branagh’s ‘Death on the Nile’ is whether or not we really disagree as much as it sounds in our review.
In addition to our main review of ‘Moonfall,’ we discuss the Oscars 2022 nominations this week and a few new releases.
Disney’s latest animated film sparks a big discussion for such a comparatively small movie.
Who you gonna call for an overwhelmingly positive review of Jason Reitman’s Ghostbusters sequel? Eh, maybe someone else.
Speaking of toxic relationships, have you watched the new Venom movie, Venom: Let There Be Carnage? Tom Hardy returns as the sweaty, parasitic antihero, this time contending with the blood-red Carnage, played by Woody Harrelson. We review this latest comic-book movie from Sony and try to understand why these movies are so popular. Later in the show, we discuss The Many Saints of Newark, a prequel movie for the hit prestige drama The Sopranos, starring Michael Gandolfini (son of the late James Gandolfini) as a teenage Tony Soprano, which is now in theaters and playing on HBO Max for a limited time.
Don’t worry, these are tears of joy. Why? In this packed episode of Cinnamonholics, we dish on TIFF 2021, catch up on The Card Counter and Blue Bayou, then review some movies. First, there’s Clint Eastwood’s new western, Cry Macho, starring himself, which just hit theaters and HBO Max. Then we get into The Eyes of Tammy Faye, starring Jessica Chastain, Andrew Garfield, and Jon’s personal, childhood memories (just wait). Then we have a special surprise celebrity guest (Nicolas Cage?!) on the show to help us review his new movie Prisoners of the Ghostland.
Special guest Ryan Oliver joins us for a review of Malignant, a giallo-esque horror thriller from James Wan that just hit wide release and HBO Max. The movie is so scary, in fact, Ryan Oliver cusses one time! We also talk about Kate, the latest action movie on Netflix about revenge (another one!) this time starring Mary Elizabeth Winstead and Woody Harrelson. We open the show with a brief check-in on the 2021 Toronto International Film Festival and some brief thoughts for Petite Maman from Celine Sciamma and The Voyeurs on Amazon Prime Video.
So, what, we’re reviewing some new Suicide Squad movie? Close. It’s The Suicide Squad, this time, a standalone sequel and/or soft reboot of 2016’s Suicide Squad, now directed by James Gunn. But this isn’t your stepdad’s PG-13 Marvel space jam. Nope, this is an R-rated action comedy featuring a massive ensemble cast, which includes the return of Margot Robbie as Harley Quinn and Viola Davis as Amanda Waller, but also new characters played by Idris Elba, John Cena, Daniela Melchior, David Dastmalchian, and the voice of Sylvester Stallone. Later in the show, we also review Leo Carax’s new arthouse musical Annette, which stars Adam Driver and Marion Cotillard. Then Vivo, a Netflix animated musical from Sony starring Lin-Manuel Miranda.
Special guest Emily Tannenbaum joins us to review Black Widow, the long-awaited Marvel action spy film starring Scarlett Johansson, Florence Pugh, David Harbour, and Rachel Weisz. We open the show with early buzz for the 2021 Cannes Film Festival, then some quick catchup on other movies and shows we saw this week. Will briefly shares his thoughts on I Think You Should Leave Season 2 on Netflix, Emily teases the first several episodes of the Gossip Girl reboot on HBO Max, and Jon covers Fear Street Part 2: 1978 on Netflix, Till Death starring Megan Fox, and Monsters at Work on Disney+.
Our sueñito this week is to review In the Heights, the film adaptation of Lin-Manuel Miranda’s hit Broadway musical from 2008, directed by Jon M. Chu with a screenplay from Quiara Alegría Hudes. Now in theaters and on HBO Max for a limited time, this massive spectacle of a Nuevo York musical stars Anthony Ramos, Corey Hawkins, Leslie Grace, Melissa Barrera, Olga Merediz, Jimmy Smits, and many more. We kick off this week’s show with some mini reviews for George A. Romero’s lost film The Amusement Park and Peter Rabbit 2: The Runaway. And we finish this extra-long show with reviews for Wish Dragon, Holler, Censor, and The Misfits.
Do you remember the classic horror franchise A Nightmare on Elm Street? Remember the first film? An imaginative, ambient slasher with a strange but horrific premise? Remember when the third film, Dream Warriors, was announced? How bizarre it was to see the classic Krueger story transformed into a fantasy-horror-team-up film with a tone akin to that of a teen superhero movie? Because I don’t, I wasn’t born when those movies came out and I stopped my retro viewings after the second one. But I do imagine the feeling must have been pretty similar to how I felt walking out of The Conjuring: The Devil Made Me Do It.
Be careful what you wish for. And that doesn’t just apply to our mini review of The Djinn from IFC Midnight. Nope, our main review this week is Those Who Wish Me Dead from Taylor Sheridan and starring Angelina Jolie, which just hit theaters and HBO Max. We also briefly discuss the “screen life” or “screen share” movie Profile, the latest Amy Adams Netflix movie The Woman in the Window, and a French sci-fi on Netflix called Oxygen, which stars Mélanie Laurent.
Get over here? More like get over it! Anyway, this week on the show we talk about Mortal Kombat, a reboot of the film franchise based on the series of video games that just hit HBO Max and is now playing in theaters. We also review Stowaway, a new sci-fi thriller on Netflix. And we finish the show with a review of Together Together, a quirky Sundance comedy that is now in limited release. And if you’re curious what we thought of the Oscars 2021 ceremony, we open the show with some of our brief thoughts.
Don’t worry, this shouldn’t take four hours. Special guest Adonis Gonzalez joins us to review Zack Snyder’s Justice League, the epic “Snydercut” or director’s cut of the 2017 superteam movie dud, which has just premiered on HBO Max. We discuss the legacy of Zack Snyder’s filmography, his work on the DCEU (DC Extended Universe), and the potential future of DC superheroes on the big screen.
Unlike Tom the cat and Jerry the mouse, we actually speak in this week’s show, as we discuss the new live-action family comedy Tom & Jerry, which just hit HBO Max and puts the classic Hanna-Barbera cartoon characters into New York City with a host of human characters you definitely won’t care about. We also review The United States vs. Billie Holiday on Hulu and Billie Eilish: The World’s a Little Blurry on Apple TV+. Plus, we do a quick mini review of The Mauritanian and play some listener voicemails.
After a few weeks apart, the Cinemaholics trio is back together again! And our main review discussion this week is Shaka King’s Judas and the Black Messiah, a buzzy awards-level movie on HBO Max starring Daniel Kaluuya as the iconic Black Panther Fred Hampton and Lakeith Stanfield as the “Judas” who betrayed him in late-60s Chicago. We also continue our discussion about movie trailers from last week and review To All the Boys: Always and Forever, Barb and Star Go to Vista Del Mar, and The Map of Tiny Perfect Things.
Special guest Kimber Myers joins Abby this week to talk about The Little Things, a neo-noir crime thriller on HBO Max starring Denzel Washington, Rami Malek, Jared Leto, and Natalie Morales. They also discuss Palmer, which just came out on Apple TV+ and stars Justin Timberlake and Juno Temple.
One afternoon on a Sunday, the Cinemaholics got together to review Regina King’s debut feature film, One Night in Miami, which stars Kingsley Ben-Adir, Leslie Odom Jr, Eli Goree, and Aldis Hodge. Also in this episode, you’ll hear some mini reviews for “WandaVision,” The Ultimate Playlist of Noise, and more. And some extended discussion over Locked Down and Herself.
The holiday season is upon us, so you know what that means! Time to celebrate the…prom? Well, OK, we’re really celebrating the annual big-budget December movie musical, which this year is Ryan Murphy’s The Prom, now streaming on Netflix and starring Meryl Streep, James Corden, Nicole Kidman, and Keegan-Michael Key. We cover several other movies as well, which include Julia Hart’s new indie noir drama I’m Your Woman on Amazon Prime Video starring Rachel Brosnahan, Steven Soderbergh’s Let Them All Talk (also starring Meryl Streep) on HBO Max, the hand-drawn animated film Wolfwalkers on Apple TV+, the time-bending indie Wander Darkly starring Diego Luna and Sienna Miller, and Songbird, which stars KJ Apa and Sofia Carson.
Cinemaholics is what you Mank of it. Which is why we’re reviewing David Fincher’s latest film, Mank, now streaming on Netflix and starring Gary Oldman, Amanda Seyfried, and Charles Dance. Manks in advance for listening. We also review Sound of Metal starring Riz Ahmed and Olivia Cooke, Black Bear starring Aubrey Plaza and Christopher Abbot, and Godmothered starring Jillian Bell, Isla Fisher, and June Squibb.
It time for very nice episode of Cinemaholics. First American movie is Borat Subsequent Moviefilm, great success. Rashida Jones and Bill Murray have weird marriage problem in On the Rocks, not nice. New streaming service HBO Max ruin day with The Witches, my wife Anne Hathaway make big impression. Rebecca on Netflix make no sense, but Lily James in it, high five. Bad Hair on Hulu scare all children, not appropriate for babies under 3, now official favorite movie of Cinemaholics Halloween.
This week, we call Aaron Sorkin to the stand for his latest film The Trial of the Chicago 7, which is now on Netflix and stars Sacha Baron Cohen, Eddie Redmayne, Mark Rylance, Joseph Gordon Levitt, Yahya Abdul-Mateen II, and many more. We also find some time for love, or Love and Monsters to be specific, which stars Dylan O’Brien and Jessica Henwick. We discuss Spike Lee’s concert film, David Byrne’s American Utopia, which is now on HBO Max. Plus Spontaneous, a high school “sci fi black comedy” starring Katherine Langford and Charlie Plummer. And finally, The Kid Detective, a dark comedy starring Adam Brody and Sophie Nélisse.
It’s a little spooky how positive we are on Hubie Halloween, the newest Netflix film starring Adam Sandler and a whole host of other recognizable actors and comedians. We keep the horror comedy vibe going with our review of The Wolf of Snow Hollow, the final film starring Robert Forster. Then we go back to Netflix to watch The 40-Year-Old Version, a Sundance hit starring Radha Blank, who also directed the film. On HBO Max, there’s Charm City Kings, a fun dirt bike racing drama starring Jahi Di’Allo Winston and Meek Mill. And finally, Will welcomes us to “Welcome to the Blumhouse,” a new Amazon Prime Video slate of horror movies starting with The Lie.
The Cinemaholics are going on a road trip! Metaphorically, at least. Our first pit stop this week is an in-depth review of Unpregnant, a buddy road trip comedy streaming exclusively on HBO Max, and it stars Haley Lu Richardson and Barbie Ferreira. Next, we travel all the way to the internet for The Social Dilemma, a new Netflix documentary about how social media is basically ruining society. Fun! After that, we head to France to discuss yet another Netflix film, Cuties, which has been caught in a maelstrom of controversy considering its sexual content. But that’s not all, we go on a detour out east for #Alive, a new South Korean zombie movie on (you guessed it) Netflix! Last, we head on home for an American documentary on Prime Video called All In: The Fight For Democracy, which is about voter suppression in these United States.
We’ve gotten ourselves into yet another…fermented cucumber. This week we’re reviewing An American Pickle, the new Seth Rogen comedy now streaming on HBO Max. We also discuss David Ayer’s latest directorial/screenwriting effort The Tax Collector, which stars Bobby Soto and Shia LaBeouf. And last is Ciro Guerra’s Waiting for the Barbarians, a slow burn frontier drama starring Mark Rylance, Robert Pattinson, and Johnny Depp. Of course, we open up the episode with a brief, but satisfying check-in with Christopher Nolan, himself.
We haven’t left our cabin for two months, but the good news is we have an internet connection, which means we just watched Shirley on Hulu! After a brief discussion of HBO Max and our current efforts to support causes related to the Black Lives Matter movement, we review some of the notable film releases of the last week, including Shirley from director Josephine Decker starring Elisabeth Moss and Michael Stuhlbarg, Becky starring Lulu Wilson and Kevin James, Deerskin from French director Quentin Dupieux, and Tommaso from director Abel Ferrara starring Willem Dafoe.