mainstream
Cinemaholics Podcasts

Cinemaholics Podcast #219 – Mainstream

Even if Cinemaholics isn’t your main stream, we hope you join us for our review of Mainstream, a new indie satire from IFC Films starring Andrew Garfield, Maya Hawke, Nat Wolff, and Jason Schwartzman. Also on the show, we’re covering a few mini reviews, including “Jupiter’s Legacy” on Netflix and David Oyelowo’s feature directorial debut, The Water Man. And we finish things up with some discussion of the new Netflix drama Monster starring Kelvin Harrison Jr. and coming-of-age 90s dramedy Pink Skies Ahead from first-time director Kelly Oxford.

the high note
Cinemaholics Podcasts

Cinemaholics Podcast #170 – The High Note, Body Cam, Jeffrey Epstein: Filthy Rich, Hope Gap

This past week may not have opened on a, ahem, high note, but that doesn’t mean the Cinemaholics are tuning out on the latest batch of film releases. After a quick birthday shoutout for our favorite movies ever and a mini review of “Space Force” on Netflix, we jump into our in-depth review of The High Note, a new feel-good comedy-drama starring Dakota Johnson, Tracee Ellis Ross, Ice Cube, and Kelvin Harrison Jr. We also discuss Body Cam starring Mary J. Blige and Nat Wolff, the new Netflix documentary mini-series Jeffrey Epstein: Filthy Rich, and Hope Gap starring Annette Bening and Bill Nighy.

waves
Reads Reviews

‘Waves’ Has A Lot To Say About Being A Parent. Especially If You Aren’t One.

Director Trey Edward Shults has a clear interest in the tools needed for families to survive whatever dangers may come their way. His sophomore film from 2017, It Comes at Night—also an A24 film—explored a heightened metaphor for the terrors parents inflict upon their children just as easily as they themselves fear it, and in Waves, Shults presents a far more grounded, but equally as harrowing tale about the fragility of success in modern America.