Sebastian Stan and Daisy Edgar-Jones star in this depraved, metaphorical horrror comedy, which literalizes the anxieties of modern dating.
In this special bonus episode of Cinemaholics, Ally Johnson (EIC of The Young Folks) joins us to review Simon Kinberg’s follow-up to ‘Dark Phoenix.’
Monday, the latest film from director Argyris Papadimitropoulos (Suntan), is a splashy and sensationalized effort, one that’ll possibly turn some folks off its intentional, unabashed abrasiveness. The response to the film’s debut appears to be divided, and understandably so. Seemingly by design, Papadimitropoulos’ latest film is a claustrophobic and unsettled viewing experience, and it matches the restless, unbridled feelings of our lovestruck, then lovelorn characters. If you don’t care for these characters, essentially, then you’re gonna have a hard time falling for this movie. Especially since the filmmakers seemingly don’t care if you like them or not. They’re not the most endearing duo, but they’re certainly amusing to watch in their debauchery. Well, at least, until they aren’t. Perhaps I’m getting ahead of myself already.
Well, the news is out. Jon and Will’s parents just got married, which means Cinemaholics has a brand new intro to mark the occasion. Once that’s out of the way, the bruthas get down to business reviewing Sergio, the new Netflix film starring Wagner Moura and Ana de Armas. After a quick chat about their favorite flicks of 2020 so far, the mismatched duo discuss the new sci-fi horror thriller Sea Fever, high school indie Selah and the Spades on Prime Video, Abe starring Noah Schnapp of “Stranger Things” fame, and Endings, Beginnings from Like Crazy director Drake Doremus starring Shailene Woodley, Sebastian Stan, and Jamie Dornan.