Tom Holland and Ciara Bravo star in Cherry, a new heavy drama on Apple TV+ from the Russo Brothers. We discuss the film and its interesting…perspectives on this week’s show, along with reviews for Yes Day, Kid90, and The Last Right. We open the show with a quick, super-serious crossover with Biff and Marty from Collision Movie Smackdown, in which they interview “Tom Holland.”
Wait, video review? For a TV show? I thought this was a Cinema podcast! For all the holics out there! Well, dear listener, guess what. “The Boys” Season 2 is about to hit Amazon Prime Video, and I recorded a video review on our YouTube Channel. Youtube Channel?! That’s right, we have a YouTube Channel. Been a thing for a minute.
Thanks to Disney’s Star Girl, I already know a movie like this — in which some poor young woman shows up from another town and sweeps a completely featureless guy off his feet — can still be made in 2020, but Chemical Hearts somehow takes this worn idea to another level.
The Cinemaholics gang is finally getting existential. Our featured review this week is She Dies Tomorrow, a new indie horror from Amy Seimetz. We also discuss Beyoncé’s Disney+ visual album Black is King, which sort of ties into last year’s The Lion King remake. Also, Host is a new horror film shot and produced during the pandemic, and it’s about a Zoom call that goes horribly wrong. Fun! And last is a new political documentary called The Fight, which is about recent ACLU cases fighting various human rights cases in the United States. We also talk briefly about “Umbrella Academy” Season 2, the future of Netflix sitcoms without “Friends” or “The Office,” and the latest release date news for Tenet.
Special guest Charlie Ridgely of Comicbook.com joins the show for a death-defying review of Spike Lee’s new joint Da 5 Bloods, which is now streaming on Netflix. We also answer a listener question, rant about Artemis Fowl (now on Disney+), and finish things out with a balanced discussion of Judd Apatow’s new dramedy The King of Staten Island starring Pete Davidson and Bill Burr, which just came out on VOD.
Special guest Sam Noland joins us for a weird review of the new weird western Bacurau, now available through some streaming platforms and maybe your local arthouse theater. The gang also discusses a new sci-fi horror flick called The Platform on Netflix, the HBO documentary mini-series McMillion$, yet another sci-fi horror flick called Swallow starring Haley Bennett, and stoner buddy comedy Coffee & Kareem on Netflix starring Ed Helms and Taraji P. Henson.
Do we believe in Yesterday? Special guest Kimber Myers joins the show to discuss the latest film from director Danny Boyle and screenwriter Richard Curtis, which explores a world where the Beatles never existed, and the one person who remembers them tries to pass their legendary music off as his own. We also discuss Midsommar and Wild Rose, then dive into some feedback from last week’s show.
For their fourth Movie of the Week, Criterion Channel has wisely decided to highlight Andrei Tarkovsky, one of the greatest filmmakers of all time. Any one of Tarkovsky’s seven feature-length films released between 1962 and 1986 would make for an excellent showcase of his talent, but it’s only natural that the final choice would be what is perhaps his most talked about film: Stalker. Released in Russia during the spring of 1979 (and a few years later in the U.S.), the film has become a favorite among cinephiles, as well as an undoubtable influence on sci-fi and arthouse fans alike.