To officially conclude this year’s Extra Milestone lineup, Jon Negroni and Will Ashton of the Cinemaholics podcast joined forces with me one last time to discuss two distinct (and oddly holiday-centric) auteur-driven classics. We start our conversation by digging through the muck of Terry Gilliam’s Brazil, a bureaucratic odyssey of madness often regarded as one of the greatest films of all time. After that, we jump forward to Edward Scissorhands, an intensely personal story from Tim Burton that is both lighthearted and melancholy, and which has affected us all at one point or another.
In what is certainly the most comedically inclined Extra Milestone yet, I am joined by my very close personal friend Tyler Chambers to discuss a pair of classics within the genre. We begin with a lengthy rundown of Terry Jones and Terry Gilliam’s 1975 cult favorite Monty Python and the Holy Grail, complete with behind-the-scenes stories, details we’ve noticed over the years, our personal experiences with the movie, analyses of the film’s comedic stylings, and revisits of our favorite sequences. Then we move on to John Landis’s 1980 musical road comedy The Blues Brothers. We discuss the film’s story structure, cast, presentation, and deadpan sense of humor, as well as how all of those things compare and contrast surprisingly well with Holy Grail. Afterward, we both give a recommendation to pair with each movie, some much more unexpected than others!
The time has come yet again for you, our most loyal and dedicated of listeners, to do the hardest part of our job for us by deciding which film to delve into on the next Extra Milestone! February yielded a fascinating and varied selection, and it was hard enough to narrow it down to a measly seven. But now is the time to select the ultimate winner. You may choose from the following:
We’re traveling to hell and back this week with our review of Hellboy, a new R-rated adaptation of the monster-fighting comic book anti-hero, now starring David Harbour. We also catch up on the latest stop-motion animation family film from LAIKA, Missing Link, and cover plenty of other releases worth talking about, including High Life, Guava Island, Little, The Death of Dick Long, The Man Who Killed Don Quixote, and Breakthrough.
For many film fans, Terry Gilliam’s The Man Who Killed Don Quixote has taken on a bit of a mythic quality since its inception. Either fittingly or ironically, this long-in-the-works passion project centered (in part) around the literary icon is one that has often alluded the Brazil director. For the past 30 years, Gilliam has tried — with only fleeting success — to bring this mischievous fable to the big screen. Despite every intention and aspiration to make it a reality, Don Quixote yet remained a fantasy.