Don’t worry, this shouldn’t take four hours. Special guest Adonis Gonzalez joins us to review Zack Snyder’s Justice League, the epic “Snydercut” or director’s cut of the 2017 superteam movie dud, which has just premiered on HBO Max. We discuss the legacy of Zack Snyder’s filmography, his work on the DCEU (DC Extended Universe), and the potential future of DC superheroes on the big screen.
There’s nothing quite like Zack Snyder’s Justice League, a film that feels more like a big-budget HBO mini-series in terms of format, but with all the whiz bang pop of a billion dollar summer blockbuster. It’s certainly bloated, though it’s coming out at a time when audiences are more starved than ever when it comes to cinematic spectacle. It’s about as ambitious in its labrynth of costumed subplots as something like Captain America: Civil War, but it’s a far more coherent and narratively rewarding picture than a lot of what Snyder has produced before, particularly compared to the mess of misery that was Dawn of Justice.
Special guests Dan Murrell and Sam Noland are here to chat about Zack Snyder’s recently announced director’s cut of Justice League, which came out in 2017 to mostly negative reviews (from us, included). We break down this big news, explain what it means for the movie industry, and speculate about what the cut might look and feel like and what other director’s cuts we’re hoping to see someday.